Used in conjunction with Logic’s sample edit window, it’s a snap to select an errant note and use TPM to shift it a few cents in either direction. Most of my work is done within Logic Pro, which includes an embedded tool called Time and Pitch Machine (I’ll call it TPM going forward). Nonetheless, I appreciate the ability to make surgical strikes for correcting sporadic killer flaws, especially when they rescue a take that’s otherwise emotionally great. It’s the part of me that recoils when Antares Auto-Tune is used as an overtly applied vocal effect, or when hearing pop performances so perfectly pitched and sterile that they’re robbed of life. My musical tastes are relatively populistic, but I’ve got the merest hint of music snob in my bones.
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